Visualizaci n de la met fora en la melod a del col

Visualización de la Metáfora en la Melodía del Color XIII

Piece description from the artist

VISUALIZACIÓN DE LA METÁFORA EN LA MELODÍA DEL COLOR XIIITHE INSPIRATION
The series “Melodía” is the visualization of the metaphor of rebirth. A study of colors, a game of harmonies, of open spaces, infinite, in a blinding sun light that characterizes the entire series. After tough moments, life starts again immersed in inner exploration.

“Melodía” takes place at an exceptional place in Italy. This valley had in 2018 its biggest color explosion of the last 10 years. This place is the current symbol of rebirth. A small village surrounded by an extensive poetic and inspiring plain. A terrible earthquake demolished the houses and lowered by 70 centimeters the small hill where this center, populated by 150 souls since the Middle Ages, had been created. Now in 2018, life returns little by little with force to this pure and mystical place.

KANTFISH STATEMENT
The images by Kantfish are real scenes, that transcend and become dreams.

Heisenberg’s theory of uncertainty reminds us that it is never possible to determine all aspects from a single point of view, and for this reason we always have the possibility of discovering a new essence of reality.

The artworks by Kantfish are photographs completed with digital personal techniques. It is the essence that goes beyond rational perception. They are travels, emotions, the proof that another world is always there if we want to feel it. That’s how the author introduces in his artworks the perspective of the viewer, who spontaneously completes the artwork.

Other works by Emanuele Giusto

About Emanuele Giusto

Madrid, Spain

Emanuele Giusto Kantfish is an Italian Madrid-based digital artist who works with images, videos, installations, films and writing. He observes reality by questioning everything. For him, reality does not exist without an observer. In his artworks the “real” becomes something inspiring “more than real”.

“““I like to place these art images in the spaces of daily life or exhibitions, to generate an immediate impact that inspires to break away in an intimate seduction that induces to dream.””” — says Kantfish. 


His images are the result of photography and a personal digital technique. They are a mix of documentary elements, reports as well as creative solutions of lights and personal techniques. As a creative author he believes in the Renaissance idea of a broad and transversal culture. Deeply interested in anthropological research and philosophical points of view, he observes reality in its full complexity.

His images were published by the main media in Italy, Spain, UK and USA (El País, L'Espresso, XL Weekly, Guardian, Foreign Policy, etc.). Kantfish is a journalist of the Official National Association of Italian Journalists since 2002 and he has worked and collaborated with international magazines and media, TV, radios, publishers and national and international agencies. He holds a degree in Law (University of Higher Education of Perugia), thesis “The therapeutic cloning as a legal problem”. He completed the “International Master of Artistic and Documentary Photography and Image Technique”, at the EFTI School of Madrid. He has published a book with the important Italian publisher Feltrinelli and he has worked with important social institutions around the world, such as FAO of the United Nations (World Water Day official video). He was selected at prestigious prizes. His images are distributed by agencies, galleries and agents. He also works on publishing projects for brands and institutions.

Kantfish explores more fields in art and communication. In film production he has directed the feature documentary "El Dulce Sabor del Éxito", that offers a reflection about the concept of SUCCESS in our society. Featuring the tenor Placido Domingo, the actress Rossy de Palma, the philosopher Fernando Savater, the photographer Alberto García-Alix, the artist Pilar Albarracín, the psychologist Martin Seliegman or the buddhist Matthieu Ricard, among others. The film is in its post-production phase. He also produced and directed two short films, the non-fiction ALMAmATER and the documentary Nobody Like Athens.

He has eclectic experiences in different continents, from Africa to Asia, as a reporter, editorial and project manager.
In Spain he has also co-founded five startups, and he has directed or co-directed different projects in the visual field.

See Emanuele's portfolio here
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