Piece description from the artist
This work comes from an entire body of paintings lost in 2014, when a five‑alarm fire destroyed Franck de las Mercedes’ home and studio. Nothing survived. A decade later, the artist reopened his photographic archive of the paintings he had documented, meticulously upscaling, color‑correcting, and editing each piece to make them available as high‑quality prints for contemporary interiors.
The result is a collection that channels the full force of FdlM’s signature visual energy—compositions bursting with movement, saturated color, and expressive mark‑making. These works translate seamlessly into corporate, hospitality, and real‑estate environments seeking art that is both emotionally resonant and visually dynamic, with a compelling origin story that adds depth to any curated space.
Franck de las Mercedes is an internationally acclaimed contemporary artist from New York City, born in Masaya, Nicaragua. Known for a vivid fusion of abstract expressionism, neo‑expressionism, rock‑carving aesthetics, and Nicaraguan primitivism, FdlM creates emotionally charged compositions defined by bright color, jagged linework, and hieroglyph‑inspired text. His work explores childhood memory, family dynamics, current events, and sociopolitical themes with raw immediacy. In 2006, de las Mercedes gained international recognition for *The Priority Boxes a participatory art project promoting peace that earned him a joint legislative resolution from the New Jersey Senate and General Assembly. He has been named one of 15 Artists About to Dominate 2015 by Complex magazine and is the recipient of multiple awards recognizing his artistic and community impact. His painting "April Flowers" was selected by the Artists Unite/MTA Poster Project for display throughout the New York City Subway system.
FdlM’s work has appeared in major exhibitions including the Queens Museum, BronxArtSpace, the Joan Mitchell Foundation, BKLYN Designs, Naples Museum of Art, the 2019 Latin American Triennial of New York, and international institutions across Europe and Latin America. His paintings are held in public and private collections worldwide.
Prints of the artist’s pre‑2014 “lost works”paintings destroyed in the five‑alarm fire that consumed his home and studio are available exclusively through TurningArt. These restored archival pieces offer a rare window into an essential era of his practice.
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