Early Summer Evening, 10th Ave., No.4

Piece description from the artist

This photograph is similar to my watercolor images of the same scene.

I was struck by this lone, old brick building at the corner of a block-long vacant lot, holding its own against all the steel and glass rising up around it. I hope the city never allows it to be demolished.

I left out the graffiti in the watercolor versions, but I included them here because I felt they added to the feeling of how the building is resisting the march of time, still part of the life of the city, with people passing by and the popular pizza place on the first floor.

Other works by Merrill Shea

About Merrill Shea

Brookline, MA

Merrill Shea began his artistic career as a classical musician and then gradually migrated toward the visual arts. He has worked as a free-lance photographer in the commercial, non-profit and academic worlds throughout Eastern Massachusetts for over twenty-five years. He is entirely self-taught.

Merrill spends at least one month every year traveling primarily throughout New England and the Pacific Northwest. While his oeuvre includes urban imagery, his primary inspiration comes from the natural world. His TurningArt offerings represent a selection from his personal projects, which range from intimate and panoramic seascapes to interpreting the oldest living things on earth: the fantastically gnarled bristlecone pine trees that survive at twelve thousand feet above sea level.

Merrill continues to explore the varieties of color, graphics and texture that are possible within the photographic medium. Like many photographers, he has been influenced by the iconic black and white nature photography of Ansel Adams. In that regard, he has included identical images which he feels are effective both in color and black and white.

Merrill has always been fascinated with the medium of watercolor and has recently been exploring the possibilities of using various computer techniques to produce watercolor-like images from photographs that, in many cases, are indistinguishable from true watercolors.

See Merrill's portfolio here
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