Piece description from the artist
I spend most of my time trying to take things away. I take away until there is not much left, but what is left feels more honest. At the start, my mind is packed with ideas and shapes. I sit with them, I cross them out, I redraw and cover over and rub out until I see the bones. Sometimes I end up with almost nothing. But I trust that what stays behind might be stronger for it.
I want to make something that doesn't just show itself right away, but that waits for you. I want it to feel open, so you can bring yourself to it. I care about how the paint sits on the surface, how light moves through it. I use many layers, sometimes so many it becomes hard to count. Each layer is thin, almost like a breath. Together, they make a space you can fall into, if you look.
Winston Chmielinski (b. 1988 in Boston, MA) engages with painting through organic dissolutions and reconstitutions of the figure. Forms forego their contours, suspending Chmielinski's paintings out of narration and into insistence—of paint, of presence, and of perception.
Following a decade of critically acclaimed solo presentations in EU and US, inclusion in the 2013+2017 Venice Biennales, and spotlights at VOLTA NY, The Armory Show NY, Liste, and Positions Berlin, Winston now helms a creative studio in Berlin and is preparing a new body of work, to be released in 2023.

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