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Ds 20 2ndv

Tom Chambers
Austin, TX

About the Artist

Tom R. Chambers is a documentary photographer and visual artist, and he is currently working with the pixel as Suprematist Art ("Pixelscapes") and Kazimir Malevich's "Black Square" ("Black Square Interpretations"). He has over 100 exhibitions to his credit. His "My Dear Malevich" project has received international acclaim, and it was shown as a part of the "Suprematism Infinity: Reflections, Interpretations, Explorations" exhibition in conjunction with the "100 Years of Suprematism" conference at the Atrium Gallery, Harriman Institute, Columbia University, New York City (2015).

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About the Artist

Tom R. Chambers is a documentary photographer and visual artist, and he is currently working with the pixel as Suprematist Art ("Pixelscapes") and Kazimir Malevich's "Black Square" ("Black Square Interpretations"). He has over 100 exhibitions to his credit. His "My Dear Malevich" project has received international acclaim, and it was shown as a part of the "Suprematism Infinity: Reflections, Interpretations, Explorations" exhibition in conjunction with the "100 Years of Suprematism" conference at the Atrium Gallery, Harriman Institute, Columbia University, New York City (2015).

Artist’s Work

Ds 9 2ndv
Tom chambers

DS-9-2ndv

By Tom Chambers

Ds 48 2ndv
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DS-48-2ndv

By Tom Chambers

Ds 50 2ndv
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DS-50-2ndv

By Tom Chambers

Ds 54 2ndv
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DS-54-2ndv

By Tom Chambers

Ds 64 2ndv
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DS-64-2ndv

By Tom Chambers

Ds 60 2ndv
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DS-60-2ndv

By Tom Chambers

Ds 22 2ndv
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DS-22-2ndv

By Tom Chambers

Ds 28 2ndv
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DS-28-2ndv

By Tom Chambers

Ds 8 2ndv
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DS-8-2ndv

By Tom Chambers

Ds 17 2ndv
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DS-17-2ndv

By Tom Chambers

Ds 21 2ndv
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DS-21-2ndv

By Tom Chambers

Ds 24 2ndv
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DS-24-2ndv

By Tom Chambers

Ds 27 2ndv
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DS-27-2ndv

By Tom Chambers

Ds 35 2ndv
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DS-35-2ndv

By Tom Chambers

Ds 37 2ndv
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DS-37-2ndv

By Tom Chambers

Ds 43 2ndv
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DS-43-2ndv

By Tom Chambers

Ds 47 2ndv
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DS-47-2ndv

By Tom Chambers

Ds 56 2ndv
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DS-56-2ndv

By Tom Chambers

Ds 58 2ndv
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DS-58-2ndv

By Tom Chambers

Ds 59 2ndv
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DS-59-2ndv

By Tom Chambers

Ds 63 2ndv
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DS-63-2ndv

By Tom Chambers

Ds 68 2ndv
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DS-68-2ndv

By Tom Chambers

Ds 74 2ndv
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DS-74-2ndv

By Tom Chambers

Ds 75 2ndv
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DS-75-2ndv

By Tom Chambers

Ds 80 2ndv
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DS-80-2ndv

By Tom Chambers

Ds 86 2ndv
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DS-86-2ndv

By Tom Chambers

Ds 57 2ndv
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DS-57-2ndv

By Tom Chambers

Ds 78 2ndv
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DS-78-2ndv

By Tom Chambers

Ds 81 2ndv
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DS-81-2ndv

By Tom Chambers

Ds 85 2ndv
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DS-85-2ndv

By Tom Chambers

Ds 88 2ndv
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DS-88-2ndv

By Tom Chambers

Ds 89 2ndv
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DS-89-2ndv

By Tom Chambers

Ds 90 2ndv
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DS-90-2ndv

By Tom Chambers

Ds 73 2ndv
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DS-73-2ndv

By Tom Chambers

Ds 83 2ndv
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DS-83-2ndv

By Tom Chambers

Ds 84 2ndv
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DS-84-2ndv

By Tom Chambers

Ds 87 2ndv
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DS-87-2ndv

By Tom Chambers

Ds 71 2ndv
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DS-71-2ndv

By Tom Chambers

Ds 72 2ndv
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DS-72-2ndv

By Tom Chambers

Ds 76 2ndv
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DS-76-2ndv

By Tom Chambers

Ds 77 2ndv
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DS-77-2ndv

By Tom Chambers

Ds 79 2ndv
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DS-79-2ndv

By Tom Chambers

Ds 82 2ndv
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DS-82-2ndv

By Tom Chambers

Ds 1 2ndv
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DS-1-2ndv

By Tom Chambers

Ds 2 2ndv
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DS-2-2ndv

By Tom Chambers

Ds 3 2ndv
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DS-3-2ndv

By Tom Chambers

Ds 4 2ndv
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DS-4-2ndv

By Tom Chambers

Ds 6 2ndv
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DS-6-2ndv

By Tom Chambers

Ds 7 2ndv
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DS-7-2ndv

By Tom Chambers

Ds 5 2ndv
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DS-5-2ndv

By Tom Chambers

Ds 19 2ndv
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DS-19-2ndv

By Tom Chambers

Ds 11 2ndv
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DS-11-2ndv

By Tom Chambers

Ds 13 2ndv
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DS-13-2ndv

By Tom Chambers

Ds 16 2ndv
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DS-16-2ndv

By Tom Chambers

Ds 14 2ndv
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DS-14-2ndv

By Tom Chambers

Ds 10 2ndv
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DS-10-2ndv

By Tom Chambers

Ds 38 2ndv
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DS-38-2ndv

By Tom Chambers

Ds 18 2ndv
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DS-18-2ndv

By Tom Chambers

Ds 20 2ndv
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DS-20-2ndv

By Tom Chambers

Ds 23 2ndv
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DS-23-2ndv

By Tom Chambers

Ds 25 2ndv
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DS-25-2ndv

By Tom Chambers

Ds 29 2ndv
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DS-29-2ndv

By Tom Chambers

Ds 26 2ndv
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DS-26-2ndv

By Tom Chambers

Ds 30 2ndv
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DS-30-2ndv

By Tom Chambers

Ds 31 2ndv
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DS-31-2ndv

By Tom Chambers

Ds 32 2ndv
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DS-32-2ndv

By Tom Chambers

Ds 33 2ndv
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DS-33-2ndv

By Tom Chambers

Ds 34 2ndv
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DS-34-2ndv

By Tom Chambers

Ds 36 2ndv
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DS-36-2ndv

By Tom Chambers

Ds 39 2ndv
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DS-39-2ndv

By Tom Chambers

Ds 40 2ndv
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DS-40-2ndv

By Tom Chambers

Ds 41 2ndv
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DS-41-2ndv

By Tom Chambers

Ds 42 2ndv
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DS-42-2ndv

By Tom Chambers

Ds 44 2ndv
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DS-44-2ndv

By Tom Chambers

Ds 45 2ndv
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DS-45-2ndv

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Ds 46 2ndv
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DS-46-2ndv

By Tom Chambers

Ds 49 2ndv
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DS-49-2ndv

By Tom Chambers

Ds 51 2ndv
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DS-51-2ndv

By Tom Chambers

Ds 52 2ndv
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DS-52-2ndv

By Tom Chambers

Ds 53 2ndv
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DS-53-2ndv

By Tom Chambers

Ds 55 2ndv
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DS-55-2ndv

By Tom Chambers

Ds 61 2ndv
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DS-61-2ndv

By Tom Chambers

Ds 62 2ndv
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DS-62-2ndv

By Tom Chambers

Ds 65 2ndv
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DS-65-2ndv

By Tom Chambers

Ds 70 2ndv
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DS-70-2ndv

By Tom Chambers

Ds 67 2ndv
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DS-67-2ndv

By Tom Chambers

Ds 66 2ndv
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DS-66-2ndv

By Tom Chambers

Ds 69 2ndv
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DS-69-2ndv

By Tom Chambers

Ds 15 2ndv
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DS-15-2ndv

By Tom Chambers

Ds 12 2ndv
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DS-12-2ndv

By Tom Chambers

Selected Exhibitions

Press and Accolades

  • American Photo Magazine/Dyer Street Portraiture
    March, 1986
  • American Photo Magazine/Dyer Street Portraiture
    July, 1989
  • Austin American-Statesman/Hot City
    February, 1992
  • Providence Monthly/Retro Providence
    October, 2016
  • Providence Journal Bulletin/Mother's 45s
    April, 1990
  • The Phoenix's New Paper/Mother's 45s
    April, 1990
  • Kumho Culture Monthly/People to People
    May, 1997
  • The Sunday Mail Magazine/Variations on the Dan Mask
    December, 1995
  • Providence Journal-Bulletin/Descendants 350
    October, 1986
  • Warwick Beacon
    June, 1987

Education

  • Midwestern State University, BS
    Wichita Falls, Texas,1969