Piece description from the artist
Rosie Sidoti finds that by synthesizing memories and observations with her photographs, her paintings become more than an enlarged version of the original snapshot. This leads her to a place of artistic discovery. By severing the photographs connection to its place of origin, the paintings begin to exist as pieces with their own entity, permitting creative emancipation. Rosie's paintings are meant to have strength, yet remain uncomplicated and sensitive, offering a respite from the tumult in the modern world.
Rosalie Sidoti (Iacono), a visual artist of Contemporary Impressionism, paints figures and landscapes from personal chronicles and observations. The understated attitude of the figure and/or the transition of lights for both figure and landscape paintings provides her initial inspiration. Years of classical training in the fine arts, rooted in the study of the works of the old and new masters, established a solid foundation from which she draws inspiration for the compilation of her work.
Rosalie Sidoti earned B.F.A. and M.A. degrees. After graduate school, she continued her education at Oxford University’s Ruskin School of Fine Arts summer exchange program, where she credits her teachers for their confidence and encouragement. Presently, she maintains a studio in Ipswich, MA and is also a Supervisor of graduate students for Tufts University, in affiliation with The School of the Museum of Fine Arts. She is a frequent arts lecturer and demonstrator at various organizations and associations, and her work is in the collection of numerous corporations, cities, and individuals along the East Coast.
Rosalie is a juried member of the following organizations: National Association of Women Artists,NY, Oil Painters of America, MD, Rockport Art Association,MA, North Shore Arts Association,MA, New Hampshire Art Association,NH