The windigos remains

The Windigo's Remains

Piece description from the artist

A giant skull covered in moss lies on its side in a dense, misty forest. A path in the woods goes right through it's mouth. On this path, a woman in a short fur shawl rides a pale horse with a black mane and tail towards the skull. She appears to have stopped through, awed by the site of the massive skeletal remains of the giant that are before her.

Giants occur quite often in Native American folklore. One of the most well known is the Windigo, also call Wintiko, Kee-wakw, and Chenoo among others. From story to story they vary in sized and appearance, but can sometimes be very large. Generally they are said have once been human but transformed into monsters as they turned to cannablism. Sometimes they are incased in skin made from ice or stone. Another recurring legend about them is that their original human form in encased within the giant's heart.

Other works by Daniel Eskridge

About Daniel Eskridge

Marietta, GA

Daniel is a forty-something living in the Metro-Atlanta area, and he is one of the few people who was actually born and raised there. He is also married and has two sons and a daughter. By day, he works as software engineer at a small company. By night he is an artist producing realist works depicting scenes of American wildlife, farm animals, fantasy scenes, extinct animals, and images of the "American Wild West":

Daniel has dual degrees in computer science and fine art from the University of Georgia. Given his education, it would seem only natural for him to combine the two by producing art using a computer. Daniel practices a new form of art called "3D Rendering":, a form of virtual sculpting with a computer. This form of art is utilized by film studios for special effects as well as animated movies, but it can be used to make stills as well. "Check out this video of Daniel creating a 3D rendering!":

Daniel’s interest in art began when he was young. As a fan of science fiction and fantasy novels, he became particularly interested in the works of the illustrators that appeared on the covers, such as "Frank Frazetta": and "Michael Whelan": In college, he discovered the work of the "French Realists":, the "Pre-Raphaelites":, and the "Hudson River School":, which further influenced him and put his work on a course where nature was the dominant theme.

See Daniel's portfolio here

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