Orca 2

Orca

Piece description from the artist

There is an extreme perspective and a tilting forward of the picture plane as in
Wayne Theibaud’s views of San Francisco, but the comparison ends here. No more candy colors, whimsical perspective or fussy details. Something has gone awry as not all is sweetness and light. Front and center, an abstract monolith of a road rising upward with the landscape fading behind. Void of detail, the image is stark and powerful. The composition consists of a black road framed (top and sides) by blue sky, violet hills, dashes of earth and green and a white bolt or rift dramatically severing the whole scene.
In the painting Orca the artist Peter Ivanoff has a different view the California landscape.

This painting was created in reaction to the “New Normal” in the West as the artist experienced first hand the devastating effect of wildfires blackening the landscape.

Other works by Peter Ivanoff

About Peter Ivanoff

Palo Alto, CA

Peter Ivanoff spent most of his professional life, initially as an art director in advertising, then as a concept artist and designer
for advertising and marketing. In addition to making a living as a commercial artist,
throughout his career he has maintained a studio practice.
As a architecture student he was introduced to painting by the artist Gilbert Steed, (a color consultant for Bocour paints and a student of Hans Hoffman). He studied and was introduced to European Modernism by the photographer and painter, John Guttman, (a student of Otto Mueller) at SFSU. He also studied Life Drawing and Anatomy at the Art Student's League.
He earned his B.A. from SSU and an M.F.A from MICA (a highlight of which was his association with the late Salvatore Scarpitta). Currently, he lives and works in Palo Alto, CA.

A native of Wales, California-based artist Peter Ivanoff’s sculpture is all about going places. Crutches, ladders, plumbing fixtures, discarded furniture, and wheels deliver the message in his objects and installations. Driving this narrative, Ivanoff’s interest is in
our relationship with technology.

After the recent and ongoing wildfires, political turmoil and other disasters, his recent drawings, collages, and paintings have taken on an environmental and political shift. In these troubled times Ivanoff is presenting a much darker impression of California than for example, the artists David Hockney or Wayne Thiebaud.

Ivanoff’s techniques are purposely simple; collages are black India ink cut-outs
on Bristol and the paintings and works on paper are painted in acrylic.

See Peter's portfolio here
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