Morning Light

Piece description from the artist

My manifesto might be The history of painting begins now. Back in the 90s there were scores of essays with titles like The End of Art, The End of Painting, The End of Beauty, or other such nonsense. I had a college professor who basically said to me everything in impressionist painting had been discovered 100 years ago. That just didn't ring true. In fact it sounded a lot like scientists in the past who claimed that every innovation had already been discovered. There is something shockingly small-minded about such a declaration. Yet I also knew that the great majority of painters were churning out images far too similar to what we'd seen in the past. But I know that innovation is still possible.

Other works by Brad Teare

About Brad Teare

Providence, UT

Brad Teare has been carving woodcuts for over twenty years, a discipline that deeply shaped his sense of rhythm, contrast, and structure. In 2004, he began painting en plein air, fusing his printmaking background with a growing passion for landscape. During the 1990s, Teare illustrated for major publishers including The New York Times and Random House, creating book covers for literary giants such as James Michener, Anne Tyler, and Alice Walker. He grew up in Kansas, inspired by the bold narrative imagery of Rockwell Kent and Lynd Ward, and spent summers working in a small letterpress shop—an experience that sparked his lifelong love of texture and design.

At eighteen, Teare traveled to Northern Idaho, where he built a log cabin at the foot of Moscow Mountain and spent a year painting watercolors by kerosene lamp through the long winters. That summer, while working on trail crews in the Cascade Mountains, he was deeply moved by the Alpine Lakes Wilderness. Surrounded by wild beauty and vast silence, he knew he would one day devote himself fully to landscape painting. Today, Teare lives in Providence, Utah, painting bold, textured vistas with a palette knife—honoring both the structure of printmaking and the wildness of the American West.

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