Piece description from the artist
From the Series, "Anchor Points"
As people, we are compelled to attach ourselves to the familiar, be it in the form of objects we choose to keep or images we use to represent ourselves. We keep objects we deem to be significant and that often connote a time of change or growth, like the houses we grew up in or the first books we learned to read. We associate ourselves with sports teams and quote authors to illustrate our personal beliefs.
We perform all these acts of keeping and association because of the sense of security they offer. Objects and symbols serve as anchor points in our relationships, such as heirlooms we inherit from grandparents and gifts from parents or close friends. We keep what people give us to help us remember why and how we are connected.
But the act of keeping is stagnant and therefore contradictory to growth, so we ground ourselves in what has happened instead of mobilizing potential for the future. Having grown up with animals, I find myself very attached to them and through them feel linked to my family; the homing pigeon, specifically, has been a mainstay in my repertoire of images. My dad raised hundreds of them his whole life and I have always been enchanted by a homing pigeon’s instinctive desire to always fly home, a desire that takes precedence over any other attachment to a mate or its community. In my adult life, I live far from my childhood home, the animals I grew up with are all gone, and my father has passed, but these symbols remain embedded in my identity. I illustrate the stories of these symbols in my woodcuts and drawings, in which I capture moments of tension and stillness in the midst of movement and interaction. My subjects feel closely bonded—even stuck—to one another, yet interrupted.
Whatever our compulsions may be, personal insignias begin to speak for us. They determine how we move, in the selection and arrangement of our homes. They determine how we interact, in proving how well we know other people by the gifts we choose for them. They fuel our need to have concrete evidence that our sense of belonging exists and what we do is relevant. Even when a circumstance changes—be it the end of a job, a relationship, an event—our attachment to an object associated with it remains, and in that way our experience lives on.
More About This Print
- Our high-quality giclee prints are produced on a proprietary material carefully selected for its ability to display rich, vibrant colors, capture subtle detail, and remain crinkle-free. Limited Edition of 100.
- The giclee print sizes shown here measure the outer dimensions of the frame, not the print. There is a 2″ border around the image on each print for matting and framing.
- Our minimal, black frames are made of a natural, recycled material that won’t warp or dent like solid wood. Each frame comes with a custom 4 ply, white mat.
More About This Print
- Each canvas print is gallery-wrapped and stretched on 1.5’’ stretcher bars with a semi-gloss finish. Limited Edition of 100.
- The print sizes quoted above measure the outer dimensions of the stretched canvas print and the printed image spans the full dimensions quoted.
- Framing currently unavailable. All canvases are printed with mirror imaging along the 1.5’’ stretcher profile for a polished, unframed display.
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- 14.0" x 10.0"
- Ink on paper
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