Datura

Datura

Piece description from the artist

I am an herbalist, and recently I'm been learning about our poisonous neighbors and approaching herbalism with more respect to the spiritual aspects of the practice. In which, I've been asking, can plants hear us? Can they respond? And one night I sat underneath this plant and my boyfriend started talking about a recent school-shooting, and she chose that moment to open the seedpod and drop hundreds of her poison poison seeds into my outstretched hand. It’s unreal, but all the same, the pod split open and confirmed what many witches, herbalists, and indigenous people have know for a long time: the plants talk back.

In India, it is said Datura sprouted from Shiva’s Chest, but she’s been in the Americas so long, I wonder if Shiva sprouted here. Called tolohuaxihuital and toloatzien by the Aztecs, she calmly walked human sacrifices to their deaths. There are 9 different species of Datura, this one is classified as Datura innoxia. She was there at Jamestown and wreaked havoc among unsuspecting colonists who gathered her for food, killing many. This earned her the names Devil’s Trumpet and Jimsonweed. And she was there six feet tall, in a construction wastefield in Vermont on my walk in summer sun, and a tiny two inch datura metal was there to welcome me to my first job site in the city. Today, still used for medicine, divination, and love spells as she has done for ages, she grows in our gardens. watching. listening.

Other works by Rachel Nelson

About Rachel Nelson

Cambridge, MA

Rachel Aurora received her B.A. in Studio Art and Environmental Studies from Middlebury College (2018) and currently lives and works in Cambridge, Massachusetts. Her debut solo exhibition, “A Second Look: Pinecones and Birch through Portraiture” opened in her hometown of Claremont, NH in April 2019 in the John D. Bennett Atrium Gallery of the Claremont Opera House. Her paintings have also been featured in the 26th Annual Student Show of the Copley Society of Art, Boston, MA and the Intercollegiate Regional of the The Arts Center of the Capital Region, Troy NY.

While at Middlebury, her work was published in The Birch at Columbia University and in Blackbird Student Magazine at Middlebury College. She conducted several group exhibitions at Middlebury on topics ranging from feminism and science to human ecology.

She has an avid interest in food systems reform, ecological justice and healing, and regenerative agriculture.

See Rachel's portfolio here
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